Tuesday, January 18, 2011

How to Apply Epoxy Resin to Artwork

The question people ask most frequently about my artwork is how I do the epoxy resin coating, so I thought I'd explain the process for anyone interested. You can try it yourself!



Supplies:
2-part epoxy: For these pieces I'm using "Ultra-Glow" from TAP plastics. I also use Douglas & Sturgess Epoxy Coating.

Stirring Sticks: You should have a few of these.

Respirator: I got this one from Douglas & Sturgess in SF. The epoxy coatings don't have a strong chemical odor, but you should still have ventilation, and use a respirator.

Propane torch: CO2 from the torch removes air bubbles. Directions on the epoxy say you can exhale on the surface to remove bubbles, but you'll just get a headache, so use a torch.


Also: Mixing cups, a timer, toothpicks, and disposable plastic gloves to keep the epoxy off your hands.


The Process:
You'll want to prepare a level surface. I cover a workbench with plastic drycleaner garment bags to catch drips, and then raise the artwork above the surface using gatoraid caps as spacers. I place bricks around the artwork to support a dust cover later in the process.


The 2-part epoxy comes in two containers. Pour equal amounts from each container into two separate mixing cups. It is important that the amounts are equal, so don't try to estimate by pouring into a single mixing cup.


Pour the contents of your two containers into a third container, and set a timer for 2 minutes. While the timer is going, stir the mixture vigorously. If you're doing it right, it will be frothy and you'll have lots of air bubbles.

I recommend using a timer because it can seem like you've mixed for a long time after only 30 seconds. It's tiring--but if the epoxy is not fully mixed, the finished product may have soft spots--not good.

Pour the mixture into a 4th container, and mix it briefly again, using a separate clean stirring stick.

Pour the mixture onto your art.


The consistency of the epoxy will be somewhere between syrup and honey, so you will have some time to spread it before it runs over the edges. I like to use a business card to spread the epoxy. You can coat the edges too, depending on what you want.

After you have the surface covered, you'll see air bubbles rising out of the coating. This is good. To help the process, light the propane torch and wave the flame about 6 inches from the surface. Keep the flame moving, or you may burn your art.


You have a limited amount of time to work with the epoxy before it begins to harden--about 15-20 minutes max--so accept that there may be some imperfections. While the epoxy is still fluid, you can use a toothpick to remove tiny bits of lint that may have settled on the surface, and you can smooth drips from the back side.


Like magic, the epoxy will level itself, and fill voids you may have created during spreading. With the bubbles gone, the coating will begin to have a mirror-like finish.


When you're satisfied that the surface looks good, I recommend you cover your work to keep out dust. I use foamcore on bricks.


Leave the project undistubed overnight, and you're done. Check it the next day!


I hope this is helpful. I'd love to hear about your projects!

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Monday, January 17, 2011

Resin Process

Last night I coated three new paintings with resin. At the last minute, I remembered I wanted to document the resin process, so I could explain how it is done. When people ask about my artwork, often they ask about the resin. Stay tuned!

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Saturday, January 15, 2011

Mystery Gift

Bill and I were walking home from the gym when we saw two guys across the street in the distance, each carrying an old window. I paint on old windows, and the ones they had were a perfect size for artwork. It reminded us we have to keep our eyes open when walking around San Francisco. I wondered what they might do with the windows--something good, I hoped.

We continued our walk, as leisurely as walking up a hill allows, looking at the new colors on a victorian, changes in another yard, and seeing a new house for sale.

When we got home, we were about to move the truck from the driveway into the garage. Bill called me over, and said "look in the bed of the truck."

I was amazed. The two windows we had seen, being carried by two unknown people, were sitting there--a gift. Bill asked "now do you believe?" Who knows I paint on windows, and who were those guys?, I wondered..,.



Mystery solved: our friend Craig left a message to look in the truck for gifts before driving it. He and David were the mystery people, but we didn't recognize them. Thanks guys! Thanks Universe! We'll do something fun with the gift.

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Monday, January 03, 2011

Postcards From the EDGE 2011- Benefit for Visual AIDS



I will have one piece included among 1500 postcard-sized pieces of art by established and emerging artists in an exhibit to benefit Visual AIDS. This year's Postcards from the Edge will be hosted by:

CRG Gallery
548 West 22nd Street
New York, NY 10011
January 7-9, 2011


PREVIEW PARTY

Sneak Peek: The only opportunity to see the entire exhibition. No sales.
Friday, Jan. 7, 2011 from 6 to 8 p.m.
$85 admission includes one raffle ticket.
Admission payable at door. Participating artists attend free.
Raffle winner will select the FIRST postcard that evening. Additional raffle tickets available.
Silent Auction of small works by Larissa Bates, Nicole Eisenman, Harmony Hammond, David Humphrey and Marc Swanson. New this year, top 10 bidders of VIP Access will secure the first 10 places in line -- no waiting.

BENEFIT SALE
Take a guess: Over 1500 anonymously displayed postcard-size masterpieces.
First-come, first-served. $5 suggested admission.

Saturday, January 8, 2011 from 10:00 - 6:00
$85 EACH. Buy 4 and get the fifth free.

Sunday, January 9, 2011 from 12:00 - 4:00
$85 EACH. Buy 2 and get the third free.

Proceeds benefit Visual AIDS.
Cash, check, credit card (MC/VISA/AMEX) accepted.

Postcards From the Edge is a Visual AIDS benefit show and sale of original, postcard-sized works on paper by established and emerging artists. All works are sold on a first-come, first-served basis. The works are signed on the back and exhibited so the artists' signatures cannot be seen. While buyers receive a list of all participating artists, they don't know who created which piece until purchased. All proceeds support the programs of Visual AIDS

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